Emme was interviewed by Karen Ingram.
Name?
Emme Stone
Location?
Sydney, Australia
URL:
http://elephantcloud.com
http://neumu.net
How was Elephant Cloud born?
Elephant Cloud was birthed from the loins of Elephant Gazette - a site
that concerned itself with such features as the Cut Out & Keep Wildebeest
and a diary written from the point of view of a river. The Gazette eventually
evaporated thus forming the pachydermal cumulonimbus we know today.
You used to have a "diary" section on Elephant Cloud, and
state that you are "...partial to the nutritional elements contained
in vowels, consonants and miscellaneous punctuation..." Are you
still writing?
I have been working on my debut novel for over a year now and am still
firmly ensconced in the first page of chapter one.
You display great talents as a visual artist, and a writer. How would
you say the synergism of these skills play into each other?
Stories can be told in many different ways and sometimes combining these
ways can increase the overall level of communication. For this reason
I like to experiment with writing, drawing, painting, photography, sculpture,
film and many combinations therein.
Your older work incorporates a lot of Flash animation, but your newest
work has a more comic-oriented, sketchy style--specifically Neumu's
Underneath. Is there a reason why you've decided to take this route?
After reading Understanding Comics by Scott McCloud and Maus by Art
Speigelman I became aware of the vast potential of static comics as
a story-telling device, hence the absence of sound and movement. I also
wish to publish Underneath in book format one day.
Do you feel that your natural illustration style is influenced by
your usage of Flash?
It's tempting to try and please Flash with smoothed vectors and the
like however I don't let this affect my work too much. My illustration
style is probably more influenced by computers in general. In the analogue
world I sometimes forget that there is no command-z so I take more risks
based on the fact that I can supposedly go back and undo.
Can you talk a little bit about Ivy as a character? What inspired
you to create her, as well as other characters you've created, like
Ottergirl and Carlyle Tigerlily?
Ivy is a girl who lives in an abandoned subway tunnel. She is an artist
and has two friends - an old man named Rutherford who likes to build
miniature railways and his pet rat, Henry. I like to create characters
who experience the world from a unique perspective. For Ivy, it's living
underneath the city. For Ottergirl, it's living in a refrigerator freezer.
For Carlyle Tigerlily, it's living in a monkey suit. I am often inspired
by the art of story-telling itself. I enjoy constructing stories.
Tell us a little bit about the genesis of Neumu.
Neumu is a website that concentrates on art and music and words. My
co-founder, Michael Goldberg, is a very talented fellow who once-upon-a-time
hired me as an illustrator to create a web animation series for MTV
Interactive. We have enjoyed a strong creative relationship ever since
so when he came up with the concept of Neumu I was very keen to collaborate.
Developing the site has been a slow but rewarding process. Simply put,
Michael is responsible for the words and I am responsible for the pictures
(although there is some cross-over as he is a gifted photographer and
I write the occasional record review). Neumu has grown quite organically
since it was first published a year ago with more and more folks contributing
to it and a steadily increasing number of visitors.
Neumu has the delightful distinction of being a site that merges
music and the visual arts in many different ways. Can you speak a little
bit about some of the sections in Neumu?
Some sections of Neumu are purely musically minded (44.1kHz music reviews,
Gramophone free MP3 library, Needle Drops electronic music column, Datastream
music news, Inquisitive interviews) while others are predominantly concerned
with film (Cinematronic film and DVD reviews, Continuity Error film
column). Some sections are editorial based (The InsiderOne Daily Report,
The Drama You've Been Craving weekly column) while others focus more
on art (Captured weekly photograph, Exhibit art and design et al, Underneath
weekly comics). There are also a couple of sections where sound and
image co-exist (Depth Of Field photography exhibits feature musicians
from time to time, the TwinklePop section features web-based music videos).
We are hoping to add more visual content in the near future.
What's the theory behind the TwinklePop section of Neumu? How do
you choose the artists you showcase?
The TwinklePop section was constructed by the very talented Annette
Loudon of The Nifty Corporation. Her concept was to bring attention
to unknown yet worthy musicians by teaming them up with professional
web designers/animators to create promotional music videos. She researches
artists that might be eligible as well as follows up referrals and suggestions
from others.
It's apparent you have a passion for music--do you typically compose
the music that you use for your animations?
Although I have tried in the past to compose music, I am very fortunate
to have friends whose sounds please my ears ever so much more. Therefore,
where possible, I collaborate.
Who and what are your influences, on & off the web, visually
and otherwise?
My influences include: Cy Twombly; Chris Ware (the artist responsible
for the Acme Novelty Library series of comics and its companion tome
Jimmy Corrigan, The Smartest Kid On Earth); Michael Chabon (author of
The Amazing Adventures of Kavalier & Clay); Markus Popp (Oval);
Yoshitomo Nara; Matt Groening; and J.D. Salinger.
Any future plans for Elephant Cloud that you can share with us?
I'm hoping to publish some film projects I've been working on soon.
What do you know about Australian and New York designers?
They both tend to appreciate breakfast cereal, which is important to
me.
Final comments?
"Comfrey is a very common but a very neglected plant: it contains
very great virtues. Yea, it is said to be so powerful to consolidate
and knit together, that if it be boiled with dissevered pieces of flesh
in a pot, it will join them together again." - Culpeper Herbal
1653.
Thanks Emme!