Name:
Jeffrey Zeldman

Age:

45

Location:

NYC

Mac or PC:

You jest, of course. Macs, Macs, and more Macs, baby.

Site(s):

http://www.zeldman.com/ (1995-2000)
Jeffrey Zeldman Presents:
Entertainment for you.

http://www.alistapart.com/ (1998-2000)
A List Apart:
Magazine and mailing list for people who make websites.

http://www.happycog.com/ (2000)
Happy Cog: Will design for money.

http://www.webstandards.org/ (1998-2000)
Web Standards Project:
Fighting for standards in our browsers.

One of your most widely publicised projects is the 'Web Standards Project' (WaSP), can you explain a little about what this is and what goals you and the other founders/members hope to achieve:

The WaSP is a coalition of designers, programmers, and web users fighting for standards in our browsers. Lack of support for standards adds at least 25% to the cost of every website, retards the progress of the web, and inevitably means that some people who want to use our sites simply can't get in.

In the two years since we began yelling at browser makers and demanding complete support for W3C standards, support for the GUI-oriented standards (CSS, HTML and JavaScript) has improved in Explorer, Mozilla, and Opera. Though none of these browsers is perfect (and Mozilla is still in beta), the need for standards has been recognized, and browser makers as well as developers are far more standards-conscious. In the next phase of the fight for standards, inconsistencies, ommissions, and bugs in the "GUI standards" will need to be addressed. Perhaps more importantly, support (or lack of support) for XML and the DOM is shaping up as the next battle royale.

Glenn Davis and George Olsen had the original vision, in 1998, to organize a group of developers and start DOING something about the browser wars and the lack of standards, instead of just lying down and taking it. I put the site together using nothing but HTML 4 and CSS-1. I mean, literally, nothing. There are almost no graphics on that site, and there's no JavaScript either. Actually, it was an interesting act of discipline, putting it together like that, and it's affected every site I've done since.

Are your members all highly active within the organisation or are they just members to show their support of the project:

We'd like them to be more active, and many of them want to be. Problem is, it *takes* an organization to *build* an organization. We are too loosely-structured, too anarchist, and also way too busy to build the kind of infrastructure that would allow all our members to *do stuff.*

So basically, at this time, most of them are there as supporters. We do have discussion groups that generate useful ideas, and we do have a couple of volunteer groups - like the CSS Samurai - that organized themselves, and were therefore able to make a huge contribution. There's an Educational Group that's been working as well, and we hope to have something from them soon.

But basically, to be honest, a lot of this works by having a few highly visible (and some less visible) members kvetch a lot - in the right places, to the right people.

What direction will WSP be taking in the future:

One thing we plan to do is work with toolmakers - Macromedia, BareBones, Allaire, Adobe, and others - to help them refine their tools so they generate valid code. Tom Negrino will be heading up that effort.

But we can't really do that (and we can't persuade them to care) until the browsers fully support standards. Netscape 6 looks like it will, but it seems like we've been waiting forever. IE5/Mac does a great job with two standards now - CSS-1 and HTML 4. Like I said, the big worries are XML and the DOM, and the main issue is whether Microsoft will allow its Windows browser to catch up with its Mac browser ..... and then go ahead and *fully* support XML and the DOM on both platforms.

At this moment we seem to be in a standoff with Microsoft. Some of their signals indicate a willingness to go forward and finish the job of supporting standards. And they obviously have the talent and knowledge to do that. Other signals indicate a desire to go their own way, which is always dangerous ... especially considering their much larger marketshare. Netscape behaved that way when they were on top. Microsoft is now making similar noises. We're hoping these disconcerting statements have more to do with corporate positioning than reality. There's always the possibility that Microsoft fully intends to completely support XML and the DOM ... but they're not willing to say so publicly, for whatever strategic, business reasons.

We had an early victory in 1998 when we helped persuade Netscape to throw out its entire browser and start over, with the standards-compliant Gecko engine. And some of us kibbitzed as Microsoft delivered IE5/Mac. But we've hit a bit of a brick wall on the Windows side. At least, for now. And of course, the delay in releasing the Netscape 6 browser based on Mozilla has drained some folks' enthusiasm for, and optimism about, that project. Opera is looking good - we hope to evaluate it properly soon - but Opera is a minority browser. Bottom line: one or two good browsers is not enough. They all have to support the same standards, and they have to do it 100%, or we'll still be in a fragmented developmental space, with our hands tied.

Once we get standards in *all* browsers, the next steps will be tools and education. (Education for designers, because we've all grown up using duct tape and chickenwire to "just make it work," and we'll have to learn new ways when the browsers finally give us what we've been demanding.)

Your personal site Zeldman.com is hugely popular having almost 4.7 million hits, why do you think this is:

Well, I wouldn't overestimate its popularity, but it does all right. For one thing, it's been around a while, and it's the nature of links to grow exponentially (or virally). Think of how Amazon grew. One guy links to you. His five friends see the site and two of them link to you. Their ten friends see those links, and so on. The longer you're around, the more that kind of momentum builds. Even if your site is terrible, if it sticks around long enough, it will get some kind of momentum.

Maybe another thing is that it's a very diverse site. Different for different people. Office workers go to laugh at the Ad Graveyard on their lunch hour, or download the celebrity interviews. For those people, it's an entertainment site. People who are trying to build their first homepage read "Ask Dr Web," or use the free graphics in "Steal These Graphics." For those folks it's a resource.

So it appeals to different audiences. Well, if you're appealing to just one audience - even if it's a HUGE audience, like "women" or "people under thirty" - at some point that group is finite. But if your work appeals to several completely different audiences, then it has a better shot at pleasing at least some of them.

It's the opposite of marketing, which targets specific groups. Or it's like multi-faceted marketing. Except that it's not marketing at all, of course. I just make stuff I like, and put it out there.

I think that should be restated. If you're trying to be popular, you will probably fail, and you will never be satisfied with the success you do manage to achieve. If you simply do work that pleases you, there's a good chance somebody else will like it, too.

But what is 4 million, anyway? I mean, if you compare zeldman.com to Yahoo, or even Slashdot, it's a pretty tiny percentage of the wired population. For a thing I make at 5 am, with no business plan and no revenue model, it's doing okay, I guess.

My first site, batmanforever.com (created with Alec Pollak, Steve McCarron, and Doug Rice) got 1.5 million visits a week, when the total online population was 3 million. Half of all web users were checking us out every week! So, basically, it's all been downhill from there. I'll never have those kinds of stats again. Nobody will. Slashdot gets 3 million visits a DAY, but there are over 200 million web users now. Drop in the bucket.

It's really about the right audience finding the work. That's how the web's supposed to be anyway. It's not a mass medium. It's a targeted medium - a galaxy of niches.

Your sites all have a similar structured feel to them, a very solid 'I will not fuck up in any browser' approach, do you think that more sites could benefit from this:
Ideally all sites should be available to all people of earth, but that's not the reality of the web. So it depends on the site. I can't imagine The Remedi Project working in Lynx or Mosaic, but I sure can't fault the site for that. Sometimes you're pushing against all the boundaries, and you know that you will leave some people behind. In *general,* most sites should be much more accessible than they are. Especially the ugly, commercial, general-interest sites. They really have no excuse. I still hit some big, general-interest sites that won't work on my Macs, or won't work in IE or Netscape, and that's just idiotic.

My stuff looks best in a modern browser, especially one that complies with CSS-1, HTML 4, and JavaScript (or at least, comes close to complying). *But* most of what I do will *work* as far back as Netscape 2 (even if it's ugly) ... maybe even earlier. And most of it works in text browsers, so I don't have to exclude anyone. My work is mainly content-focused, so it makes sense for me to take that approach.

There's a misconception that you can't do accessible work unless you avoid CSS and JavaScript, and that's just false. You can do really cool stuff with those technologies and still remain accessible. Your work doesn't have to look like Yahoo. You can even do accessible stuff with frames, if you take the trouble to use noframes tags and build-in alternate navigation.

I have noticed that you have quite a crazy and sarcastic sense of humour which is very similar to most Australians, do you have any Aussies in your closet:

You don't want to know what I've got in my closet. I don't eat steak,though, so that casts a doubtful light on any possible Aussie lineage. And I don't surf. But my people admire your people.

This sounds like a good time to throw in one of my standard questions....what do you know about Australian design/designers:

I know you and TinTin. And Waferbaby. I know Australia Infront. I actually see the work of, and correspond with, a lot of great Australian designers. And oddly enough a lot of the contributions to my Ad Graveyard come from your part of the world.

But I don't think nationalistically - well, maybe aside from being aware of Japanese design and Scandanavian design, which definitely seem to be their own worlds. But overall, design trancends geography and governments. Good design is good design. So I don't actually pay attention to where most of it comes from, to tell you the truth. <small>Please forgive me.</small>

Do you have any new projects coming up soon that you can tell us about:

I've just finished a curriculum for web designers, for a client/partner, called Populi. They'll take print designers and art directors, teach them to be web designers, get them on salary while they're learning, and then find them jobs. Pretty amazing business plan. It's inspiring to be part of that, because it has the power to change lives. That may sound phony, but it is the truth. Pratt Institute of Design is affiliated with the project; Pratt's Cheryl Stockton and Populi's Margaret Alston helped me put the curriculum together.

Now I'm writing a book based on the curriculum - looks like it will come out in January 2001. I'll be doing a series of lectures while I finish the book. And continuing to write monthly columns for Adobe Online and PDN-Pix, the digital arm of Photo District News. I don't know how this all happened, but I'm going with it.

I also just finished a big site for JazzRadio.net, a Berlin-based radio station that pipes jazz music to the world 24-7 over the net. They're acool client, and even though it's a business, you can tell they're all in it for love. And how can a designer not respond to that? I just turned the site over to the client, who is now responsible for updating and maintaining it. That is always scary. This is a good client, so I'm not too worried. Even though, like all designers, I'm a *little* worried, because, let's face it, designers are control freaks. I designed the site pretty loosely - liquid design, no type gifs, simple CSS - to make it easy for the client to update, and to make the site usable by anyone, with any browser.

I'm thinking about how to make A List Apart better and more interactive. We publish a new magazine issue each week, and the past four months have been really good. We've got a moderated mailing list with well over 15,000 members, and though we don't publish it as often as I'd like, the quality is always high. We're moving ALA - it may have already happened by the time this interview goes live - and we'll be making other changes to it that should be pretty interesting. Nick Finck, the editor of >Digital Web, who I know you know, has been helping with production the last couple of months, doing an amazing job. And the writers are just amazing.

Any final comments:

The thing I keep thinking about is how to keep great independent content and design alive on the web. Because that is the flame. While the dot-com explosion has built an infrastructure, forced browser makers and server companies to advance, generated a few interesting products, and lured millions of new people to the web, it's also glutted the web space with mountains of useless shit. And it's marginalized a lot of vital content and design - to the point where some great designers, like Francis Chan of Famewhore (R.I.P.) just walk away.

We can't let that happen. We can't let the business side stifle the creative revolution on the web. I'm not sure what to do about that. I think we can, and have to, just keep putting it out there. And I think sites like DIK help, because this is a place where people can find out about work they sure won't see on Yahoo's or Microsoft's or Netscape's front page. But there's a lot more that needs to be done. Recently, a few of us launched Astounding Websites. It's an open community whose purpose is to find, review, and celebrate the best writing, design, and programming on the web. It seems to be turning into a nice little community. Will it be more than that? Hard to say.

I don't know what else we can do to keep hope alive for the web. I know we HAVE to do more. So that keeps me up nights, when my work doesn't.

Thanks for having me here.

Thanks Jeffrey!